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The Patriot
by Lisa Davis
Word Count: 307
Set
in the American War of Independence, this film looks at the effects that
war can have on families and communities. Mel Gibson plays an ex-army
officer, Benjamin Martin, who was famous for his bravery during the
French-Indian wars. He is father to a gaggle of attractive children with
perfect teeth, including the rather wonderful Heath Ledger.
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| Martin has seen enough bloodshed
and resists the new war that his family is swept into. It takes a horrible
event (don't want to spoil the story by telling you what that is) for
Martin to realise that he cannot avoid the war by ignoring it. |
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Source: The Patriot
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For
a film that attempts to code itself as realist, a strange anomaly or two
appear, such as freed slaves, and the total absence of Native Americans.
The story meanders in places, which leads to boring bits and a numb bum
(the film goes for well over two hours). It is also full of rather
unsubtle attempts to stimulate the audience's emotions - unfortunately
embarrassment was more what I was feeling in those scenes, but hey.
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It is clear that Roland Emmerich wanted to direct a grand narrative but it
is as though he couldn't decide which one, so he took a bit from all of
them. Gibson, of course, lent it some Braveheart flavour, especially in
the patriotic bits and the 'let's ride around in horses and get the men
ready for battle' bits. Some parts were reminiscent of the 'Last of the
Mohicans' (though, of course, without any actual Mohicans), especially the
bits where Gibson ran towards the camera with a tomahawk in one hand and a
rifle in the other. Some parts even had a touch of Robin Hood in them -
Gibson forms a band of merry men to fight the evil English oppressors, who
will do anything to stop him.
This wasn't a bad film; it just wasn't a great one. Despite Emmerich's
desire for a legend, I don't think that he found it here.
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