three duets for two french horns

three songs for voice and piano
three settings of poems by Henry Lawson

three songs for mezzo-soprano or contralto, 2 flutes, clarinet in B flat, bass clarinet, tenor trombone and piano
three settings of poems by Henry Lawson

for solo piano, in three movements

for orchestra
Written especially for the 20th Anniversary of the University of New South Wales Symphony Orchestra.
First performed by the University of New South Wales Symphony Orchestra, conducted by Colin Piper, on 28 August, 2009.

Music Theatre work - a setting of text by William Butler Yeats for three singers (soprano, alto, tenor), two actors and one dancer plus small ensemble : clarinet, viola, violincello, synthesizer, piano and two percussionists

for viola and piano

for clarinet and violincello

arr. clarinet and bass clarinet

for small orchestra

for symphony orchestra

for violin and violoncello

arr. string orchestra

for alto saxophone and piano

arr. french horn and piano

arr. clarinet and piano

arr. for orchestra

arr. clarinet and cello

for mezzo-soprano or contralto and piano
five settings of short fragments of poetry by William Blake

for symphony orchestra

for solo Bb clarinet

for solo piano

for mixed instrumental sextet

for mezzo-soprano, 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons, 4 horns in F,2 trumpets in B flat, 2 trombones, timpani, percussion (1 player) and strings
setting of a poem by Dorothy Hewett

for string quartet

for small ensemble : flute, oboe, clarinet in B flat, viola, violoncello, piano and percussion

for small orchestra

for large orchestra

for solo piano

for brass quartet - trumpet, 2 french horns and trombone

for violin, viola, cello and double bass
Commissioned by the Sydney Symphony Fellowship Programme

for SATB chorus, piccolo, 4 flutes, 4 oboes, 3 bassoons, contrabassoon, 4 horns in F, 4 trumpets in Cm 2 tenor trombones, bass trombone, tuba, timpani, percussion, harp, 2 pianos, cellos and double basses.
Texts taken from the Stabat Mater Dolorosa, Seneca (Moral Letters), Plutarch and newspaper accounts of the Beslan commemoration ceremonies.
Commissioned by the Royal Melbourne Philharmonic Society with assistance from the Australian Government through the Australia Council, its arts funding and advisory body.

for solo mandolin

for mandolin and guitar

for orchestra
Commissioned by Armidale Youth Orchestra

for orchestra
Commissioned by Symphony Australia and the Australian Music Centre

for flute, Bb clarinet, Bb trumpet, tenor saxophone, piano and percussion
Commissioned by Caringbah High School New Music Group

(i) Awinya, Fraser Island (ii) On the Woralie Track (iii) Wathumba, Fraser Island (iv) Rocks, Cape Leenwin (v) Forest at Namadji
five songs for voice and guitar
setting of poems by Michelle Morgan

for solo piano

for trombone, marimba and piano
inspired by the Penguin Cafe Orchestra

for 2 flutes (2nd doubling piccolo), 2 oboes, clarinet in B flat, bass clarinet, bassoon, contra-bassoon, 4 horns in F, 2 trumpets in C, 2 tenor trombones, bass trombone, tuba, timpani, percussion (1 player), harp and strings

for string quartet

for cello and piano
Commissioned as part of the ‘101 Compositions for 100 Years’ project, celebrating the centenary for the Sydney Conservatorium of Music.
Premiered by David Pereira (cello) and Timothy Young (piano), 4 May, 2010.

for large orchestra

for solo piano

for piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets in B flat, bass clarinet, 2 bassoons, contra-bassoon, 4 horns in F, 3 trumpets in C, 2 tenor trombones, bass trombone, tuba, timpani, percussion (2 players), harp and strings

for unaccompanied SATB chorus
Texts taken from the writings of Li Po (701-762)
Commissioned by Sydney Philharmonia for 'Dawn Chorus', an event presented as part of the Sydney Festival, 2009.

for soprano, tenor, two SATB choruses, string orchestra and percussion
Texts taken from the Latin Requiem Mass, and newspaper headlines
Commissioned by Sydney Philharmonia Choirs

for flute, Bb clarinet, tenor saxophone, Bb trumpet, cello, percussion (2 players) and piano

for vocal quartet (SSAA) and string quartet
I. The Southern Mother’s Charge II. If We Knew III. The Snow at Fredericksburg
Texts taken from anonymous poems, written during the American Civil War
Commissioned by the Ives String Quartet

for bass voice, violin, clarinet and piano
setting of a poem by Dorothy Hewett

for cello duo (or solo cello and pre-recorded tape)

for mezzo-soprano and piano
setting of a poem by Gerard Manley Hopkins

for flute/piccolo, clarinet in B flat, bass clarinet, trumpet in C, violin, viola, violoncello, piano and percussion (2 players)

for string quartet

for string quartet

for string quartet

for string orchestra

for soprano, SATB chorus and orchestra

arr. for soprano, SATB chorus, 2 pianos and percussion
Commissioned by Sydney Philharmonia Choirs

for soprano, mezzo soprano, piano and percussion
Text by Michele Morgan

for violoncello and piano, in three movements

for flute, Bb clarinet, Bb trumpet, tenor saxophone, piano and percussion
Commissioned by Caringbah HS New Music Group

for solo piano

for four percussionists

for two french horns and string orchestra, in three movements

(i) A Valediction: Forbidding Mourning (ii) The Flea (iii) Death Be Not Proud
three settings of poems by John Donne for unaccompanied SATB choir (with contralto soloist in The Flea)

for unaccompanied SATB chorus
Written especially for Sydney Philharmonia, on the occasion of their 90th anniversary
First performed by Sydney Philharmonia, conducted by Brett Weymark, at City Recital Hall, Angel Place, Sydney, 3 July, 2010.

for solo piano

three pieces for two mandolins

for three solo clarinets and orchestra
Commissioned by Fr. Arthur E. Bridge for Ars Musica Australis

for flute, clarinet and piano