| |
| 2009 | Chromaphobia, Ryan Renshaw Gallery, Brisbane |
| 2008 | MentorMentored4, curated by Peter McKay, The Contemporary Art Centre of South Australia |
| 101 Tokyo Contemporary Art Fair |
| An ever expanding universe, Perth Institute of Contemporary Arts |
| Melbourne Art Fair, Royal Exhibition Building |
| Bus vs. Blindside: Rumble in the Library, curated by Charity Bramwell, City Library Gallery, Melbourne |
| 2007 | Bad Brains, curated by Alan Cruikshank and Peter McKay of CACSA, a little blah blah, Ho Chi Minh City, Vietnam |
| Event 1, (one night event) MSSR [Extra], Brisbane |
| New Work 3, Screen Space, Perth Institute of Contemporary Arts |
| ABN AMRO 2006 Emerging Artist Award, curated by Susan Manford, Foyer Optus Centre, Melbourne and finalist, Foyer ABN AMRO Tower, Sydney |
| Too Near, Too Far: An Introduction to Australian Independent Art Scene, Care of Centre for Visual Art, Milan |
| Strange Beauty, curated by Melissa Keys, Linden-St Kilda Centre for Contemporary Arts |
| Paper Cuts, curated by Giles Ryder, Peloton, Sydney |
| 2006 | Gertrude Studios 2006, Gertrude Contemporary Art Spaces, Melbourne |
| Things Will Be Great, curated by Downtown Art Space, MOP Projects, Sydney |
| Snapshot, curated by Melentie Pandilovski, Experimental Art Foundation, Adelaide |
| Reflections in a Golden Eye, curated by Jan Duffy and Kate Barber, Linden-St Kilda Centre for Contemporary Arts |
| ABN AMRO 2006 Emerging Artist Award, curated by Susan Manford, Foyer Optus Centre, Melbourne and finalist, Foyer ABN AMRO Tower, Sydney |
| One God, no masters, Hamish McKay Gallery, Wellington, NZ |
| Contemporary Collection Benefactors Auction, Art Gallery of NSW (August) |
| Melbourne Reign, Michael Carr Art Dealer, Sydney |
| Kids Stay Free, Neon Parc, Melbourne |
| Material Witness: Representations and Space, curated by Jena Woodburn, The Project Space, The Contemporary Art Centre of SA (March) |
| Mountain Film Festival 2006, Hobart |
| Local Video & Performance Nights, Downtown Art Space, Adelaide |
| 2005 | Paper Chase, Nellie Castan Gallery, Melbourne |
| Summer exhibition 2005, Brian Moore Gallery, Sydney |
| The Air Between Us: Gertrude Studios 2005, Gertrude CAS, Melbourne |
| A Short Ride in a Fast Machine, Gertrude CAS, Melbourne |
| Nature by Proxy, curated by John Nicholson, Brian Moore Gallery, Sydney |
| What If, curated by Elise Routledge, The Wedding Circle, Sydney |
| New Painting Heroes, (Curator) Downtown Art Space, Adelaide |
| A portable model of..., curated by Tristian Koenig, Plimsoll Gallery, University of Tasmania and LaTrobe Regional Gallery, Victoria |
| 2004 | Address Book,Bus Gallery |
| Gold,VCA Student Gallery |
| ANZ Visual Arts Fellowship 2004Landed,ANZ Building, 380 Collins St Melbourne |
| Manifesto,curated by Bridget Currie, Downtown Art Space, Adelaide |
| The Containers Project,Next Wave Festival, Federation Square |
| Downtown goes to Perth,Bread Box Gallery, Perth |
| 2003 | Love Letter to China, Ivan Dougherty Gallery, Sydney and Central Academy of Fine Art, Beijing |
| 2002 | Plans and Disasters, Downtown Art Space, Adelaide |
| Adelaide Installation in Leigh Street, Adelaide, as part of 'Shop Art' program |
| 2001 - 2003 | Fundraiser, Contemporary Art Centre of South Australia |
| 2001 | In the Face of Certain Disaster, The Project Space, CACSA |
| GIRLS, Top Floor (Curator), Adelaide |
| 2000 | Hyphen, Miller Anderson Building, Adelaide Twenty x Twenty, N Gallery, University of South Australia, Underdale Campus |
| 1999 | Fin, L Building, University of South Australia, Underdale Campus Twenty x Twenty, Artspace, The Adelaide Festival Centre |
| 2009 | Masi, Monte, 'Matthew Bradley & Viv Miller', DVD, Contemporary Art Centre of SA. |
| 2008 | Christmas, Pip, 'Sky's the limit for diversity',The West Australian, Wednesday 11 June |
| Leach, Sam, 'Viv Miller', Artist Profile, issue 5, pp.42-45. |
| McKay, Peter, 'Mentor Mentored4', catalogue essay, The Contemporary Art Centre of South
Australia |
| McGrath, Judith, 'An Ever Expanding Universe', Art Guide Australia (exhibition preview),
July/August, pp.18-19. |
| Neylon, John, 'Lash and link', The Adelaide Review, January 2009, issue 347, p.29. |
| Keys, Melissa, 'An Ever Expanding Universe', catalogue essay, Perth Institute of Contemporary Arts |
| 2007 | Keys, Melissa 2007, 'Strange Beauty', catalogue essay, Linden-St Kilda Centre for
Contemporary Arts. |
| Lacy, Danny, 'Heavy', catalogue essay for New Work 3, Perth Institute of Contemporary Arts |
| 2006 | Amery, Mark, 'Hothouse flowers', The Dominion Post (NZ), 27 October. |
| Crawford, Ashley, 'Viv Miller', Australian Art Collector, issue 38, p.299. |
| Crawford, Ashley, 'Hell's Kitchen', Michael Carr Art Dealer, Sydney. |
| Crawford, Ashley, 'Kids stay free', Preview, The Sunday Age, April 16, pp.30-31. |
| Currie, Bridget, 'Local Video and Performance Nights', Artlink, vol.26, no.4, p.123. |
| Dunt, Nerina, 'Material Witness: Representations and Space', dB magazine, issue #381, 15 - 28 March. |
| Gellatly, Kelly, 'Reflections in a Golden Eye', catalogue essay, Linden-St Kilda Centre
Contemporary Arts. |
| Hibberd, Lily, 'Viv Miller' (interview), online un Magazine supplement, issue 7, www.unmagazine.org. |
| Kahn, Jeff, 'Everything Altogether Feels Heavy', Neon Parc, Melbourne. |
| Reid, Chris, 'Material Witness: Representations and Space', Australian Art Collector, Issue 35, January - March 2006, p.259. |
| Walker, Wendy, 'Impressive showcase for today's artists', The Australian, August 11,
p.16 |
| Woodburn, Jena, 'Material Witness: Representations and Space', The Contemporary Art Centre of South Australia. |
| 2005 | Artbank, Calender 2005. |
| Ascroft, Michael, 'The Power Part II', catalogue essay, Gertrude CAS, Melbourne. |
| Higgins, Jo, 'What If - The Wedding Circle', State of the Arts, 25 May,
www.stateart.com.au. |
| Radok, Stephanie, 'Minimal paint', The Adelaide Review, May - June no.269, p.22. |
| Siebert, Mark, 'Exodus? Adl v Mlb', Vitamin, vol.5, pp.24-25. |
| Waters, Sera, 'New Painting Heroes', un Magazine, issue 5, pp.56-7. |
| 2004 | Bilske, Maria, 'Undiscovered Artists', Australian Art Collector, issue 28, April - June,
p.97.. |
| Safe, Georgina, 'Galleries go mobile', The Australian, Tuesday May 18, p.17 |
| 2003 | Bilske, Maria, 'Peasants and Other Shit', catalogue essay for Prospect 1,
Contemporary Art Centre of South Australia. |
| Radok, Stephanie, Review of Plans and Disasters and Modern Love Pictures at
Downtown Art Space, Artlink, vol.23, no.1, p.91. |
| Radok, Stephanie 2003, 'Your mind and you', The Adelaide Review, June no.237,
p.14. |
| Woodburn, Jena, 'Prospect 1', Broadsheet, volume 32, no.2, p.36. |
| Walker, Wendy, 'Talking to the animals', The Advertiser, Sat. June 7, p.86. |
| 2002 | Bolton, Ken, 'How Do I Look?', Eyeline, Number 48, pp.48-49. |